don't drop bombs

Kylie Minogue, everyone's favorite Aussie pop rocket, blasts back into outerspace with her brand new single, "Timebomb". Please note the compound word structure.

 After only being on sale for a few days, "Timebomb" crashes into the UK singles chart a number 31. Impressive!

Not sure about the slightly low budget nature of the accompanying video clip which was shot recently on the streets of Soho in glorious, glamorous London.



The release of the new single is part of a year of special events to celebrate Kylie's 25th year in the music business which has become affectionately known as K25. In the last twelve months Kylie has performed a stripped down tour of b-sides and rarities, presented a beautiful set of orchestrally arranged hits at Abbey Road Studios and delivered a gorgeously produced DVD of her blockbuster "Aphrodite" show.

Next up is the release of "The Best Of Kylie Minogue", an 18 track retrospective which will hit the "shops" in the UK on June 24. However, "Timebomb" will not feature on this single disc retrospective. She is a sly little kitten. Perhaps there are more surprises in store from Ms. Minogue?



Well, for one thing, the diminutive pop atarlet has just finished a in the French art film, "Holy Motors", which was directed by Leos Carax. It stars Denis Lavant as a man who travels between multiple parallel lives. The film competed for the Palme d'Or at this year's 2012 Cannes Film Festival. Apparently, Kylie turns in a very moving and tearful performance.

Check out the trailer below which includes a brief snippet of "Who Were We?", a new song Kylie recorded for the film. The song was written by none other than Neil Hannon of The Divine Comedy. I am now obsessed with getting my Google dirty hands on the soundtrack which hasn't been given a release date yet.

a mark of vintage brilliance

Today, marks the release of "Brilliant", the first, new Ultravox album by the classic Midge Ure line up in 26 years.

The first single is the title track and it has all the hallmarks of the expansive, cinematic choruses of their biggest hits without sounding like a pastiche.



There are just enough contemporary elements to make it sound current. But it's the chiming piano figure that gives it a similar, elegiac quality of singles like "Dancing With Tears In My Eyes" and Midge Ure's biggest solo hit, "If I Was". My only criticism is that Midge's vocal in the verses sounds a bit disconnected and scratchy as compared to the grand beauty of his delivery in the chorus.

By the sound of the 30 second snippets on their website, it sounds like chunky, galloping basslines and giant swaths of synths are the order of the day. And it makes me realize The Killers have listened to more than their fair share of Ultravox albums in their time.

The tracklisting for "Brilliant" contains the following twelve tracks.

1. Live
2. Flow
3. Brilliant
4. Change
5. Rise
6. Remembering
7. Hello
8. One
9. Fall
10. Lie
11. Satellite
12. Contact

I wonder if there is any significance regarding the use of all single word titles. Suggestions of a cocktail napkin, please.

Ultravox are gearing up for their first tour since they reunited for a few dates back in 2009. Laptops at the ready, gents! Looking forward to seeing them back on the road to support their new longplayer.

reach out and touch faith

Lovely lass, Paloma Faith, returns with "Picking Up The Pieces", the first single from her forthcoming sophomore effort, "Fall To Grace".

Thankfully, it's not a cover of the Average White Band hit. Instead, it's another grand and gorgeous affair accompanied by an equally stylish video.



Paloma gives it some church! Clearly, the label believes in Lady Faith since they splashed some serious cash on the vid.

Great to see Paloma move her image slightly forward as she was in danger of becoming a caricature of herself toward the end of the promotion for her debut elpee, "Do You Want The Truth Or Something Beautiful?" Rather than falling into art deco retro, she's taken some of the elegance from the era, added a dash of 60s swinging London to it and topped it off with some contemporary styling. And I'm sure it's not lost on her fans that the melting wax figure at the end of the video for "Picking Up The Pieces" might be her way of putting her old school Hollywood glamor look behind her.

All in all, it's a strong step forward. With the legendary Nelle Hooper in the producer's chair, "Fall To Grace", which hits the "shops" on May 28, stands to be on of this year's mighty pop releases.

the K25 celebration continues

Everyone's favorite Aussie pop rocket, Kylie Minogue, continues her K25 celebration by releasing another hits collection.

"The Best Of Kylie Minogue", a single CD retrospective, will hit the "shops" on June 4 and contains 18 top five UK singles including five number ones. The chart toppers include "Can’t Get You Out Of My Head", "Slow", "Spinning Around", "Tears On My Pillow" and "I Should Be So Lucky".

A deluxe edition of the collection will feature a DVD which will include all the corresponding videos.

Arguments and hair pulling will surely be had when you realize songs like "Shocked", "Hand On Your Heart" and "What Do I Have To Do" have been left off in favor of tracks like "Get Outta My Way", "Red Blooded Woman" and "Wow".

Here’s the full tracklisting for "The Best Of Kylie Minogue".

1. Can’t Get You Out Of My Head
2. Spinning Around
3. I Should Be So Lucky
4. Love At First Sight
5. In Your Eyes
6. Kids
7. Better The Devil You Know
8. All The Lovers
9. Give Me Just A Little More Time
10. Celebration
11. Slow
12. Red Blooded Woman
13. I Believe In You
14. On A Night Like This
15. Confide In Me
16. Get Outta My Way
17. The Loco-Motion
18. Tears On My Pillow
19. Wow
20. In My Arms
21. Never Too Late

And seriously. "Celebration"? Oy.

The timing is a little questionable. Shouldn't this have been released around the time of Lady Minogue's Anti Tour? However, Kylie is scheduled to headline this year’s BBC Proms In The Park on Saturday, September 8 in London's Hyde Park.

let color spew forth

Scissor Sisters, on the verge of unleashing "Magic Hour", their forthcoming, fourth longplayer, have lensed a colorful, equine enhanced video for their current single, "Only The Horses". Let's have a peek.



Nicely shot. I see the often used, spilled paint played in reverse trick is still popular. The single is hugely listenable. Although, I'm still convinced it is stripped of anything resembling the Scissters with the exception of Jake Shears' vocal. Still, a lovely tune which grows with each passing listen.

And if you'd like to know how this modern slab of celluloid was created, here's a short, behind-the-scenes look at the making of it.



The tracksliting for "Magic Hour" has been revealed. And I am pleased to be able to share it with you now.

1. Baby Come Home
2. Keep Your Shoes On
3. Inevitable
4. Only The Horses
5. Year Of Living Dangerously
6. Let’s Have A Kiki
7. Shady Love
8. San Luis Obispo
9. Self Control
10. Best In Me
11. The Secret Life Of Letters
12. Somewhere
13. Ms. Matronic’s Magic Message
14. Fuck Yeah*
15. Let’s Have A Kiki (DJ Nita Remix)*
16. Fuck Yeah (Seamus Haji Remix)*

The asterisk (*) donates the ever growing popularity of the bonus track. Not sure if the three additional tunes are exclusive to a digital retailer or make an appearance on the CD. Either way, I think it would have been nice to add the Seamus Haji remix of "Shady Love" to the tracklisting. I prefer that one to the original. Just my two cents. Regardless, "Magic Hour" will be available in the "shops" on May 25.

And for those who appreciate a little personal anecdote, I'm thrilled to tell you that, as a child, my siblings and I used the word "kiki" when referencing female genitalia. I can hear your satisfaction at being duly informed. I don't suppose the Scissters had that in mind when they recorded the album track, "Let's Have A Kiki". Carry on.

calling all occupants

Gravitonas, fronted by vocalist Andreas Öhrn and curated by legendary, Swedish maestro Alexander Bard, have returned with "Call Your Name", a brand new single which sports a slightly different sonic direction for them.

While their latest is still aimed directly at the dancefloor, it takes on a slightly more progressive bent than previous efforts.

The pulsing synth figure is powered forward by a snappy clapping percussive track and swings under Andreas' urgent, insistent vocal. It's slightly darker sounding with a hook that manages to bury itself deep inside your brain within moments of hearing it. And they push the boundaries of the dubstep breakdown by adorning the squelchy, rumbly bits with Eastern European string lines.

The single is accompanied by a suitably quirky, jerky video which sees Andreas' straightforward performance juxtaposed against Alexander's ominous presence. It reminds me a bit of Pet Shop Boys' finest visual work. Think some of the darker moments from "Heart" or "I Don't Know What You Want But I Can't Give It Anymore".



While the overloaded, 17 mix digital bundle is scheduled to be released on May 21, "Call Your Name" is already available to purchase as part of Gravitonas' brand new, six song EP, "Black Ceremony".

What is truly unique about the Gravitonas manifesto is that they are embracing the power of the internet and the current, single driven environment while exploring the impact of promotion in territories which are often overlooked in the international marketplace. So far, they have released numerous singles and EPs without ever issuing a full length album.

However, I have one suggestion for Mr. Bard regarding "Call My Name". I desperately want an old school, six minute, extended version of the original mix. It's begging to be done. He can thank me for that little marketing nugget later. Cash will do nicely.

And the superior pop of Gravitonas doesn't begin and end with their current offering. Previous single, "Lucky Star", was a light n' breezy little number. It contrasted nicely against preceding single, "Everybody Dance", a stomping track which has been getting a lot of dancefloor attention, especially in its reswizzled form courtesy of house honcho, Ralphi Rosario.

horsing around

"Only The Horses", produced by synth wizard of the moment, Calvin Harris, is the first single, possibly second, from the forthcoming, fourth longplayer from Scissor Sisters. I say "possibly second" as it is unclear if their previous platter, "Shady Love", will feature on it.



With only two tracks from the latest studio sessions to go by, it's difficult to judge what the album will sound like. But my first reaction is that "Magic Hour", for that is the title of the longplayer, is, essentially, a Jack Shears solo album. Ver Scissters appear to have succumbed to record company pressure in their search for the elusive "hit" and in the process, have been stripped of their sonic identity.

Neither of the recent singles have been bad. Although, I must admit I despised "Shady Love" when I first heard it and it grew on me after numerous listens. They seem to lack the humor and spark that attracted me to the band in the first place.

And have we not had enough of the lyric video promotional concept by now, darlings? Plus, I have a bone to pick with ver Scissters about their single "sleeve". The animal featured in the artwork is a zebra not a horse. I suggest they change the title or replace the animal on the cover. I am a serious advocate when it comes to truth in advertising.

"Only The Horses" will be available from all fine digital retailers on May 13 while the new elpee, "Magic Hour" will hit the "shops" on May 28.

blood and garbage

Garbage are back on the scene after a seven year hiatus with "Blood For Poppies", the first single from their forthcoming, fifth, studio longplayer, "Not Your Kind Of People". The single is a return to the their roots which features chainsaw guitars, a dusting of twisted electronics and Shirley Manson's signature vocal sneer.

While the verses are dark and a bit grungy, it lifts into a chorus that's begging to be adorned in Beach Boys harmonies. You can almost hear the band on the knife's edge holding back those tendencies and they deliver it with a just a hint of that surf side vocal influence without ever exploding into a full-on, sunshine hook.

The video for the single, directed by renowned fashion photographer and filmmaker Matt Irwin, is a black and white vamp through the glamorous homes of Los Angeles spliced together with some film noir imagery.



While "Blood For Poppies" has been touted as the first single, it appears the UK will lead with "Battle In Me". Both tracks will be available as limited edition 7" singles which will be exclusively available through brick and mortal retailers for Record Store Day on April 21.

Glad to have the fierce foursome back in the game. And they've returned just in time for the wave of 90s nostalgia which is about to sweep the globe. Come to think of it... Whatever happened to that proposed Shirley Manson solo album? I think we need to give Shirl a little jingle about that.

"Not Your Kind Of People" will be available from all fine "shops" on May 14. The following is the official tracklisting for the elpee.

1. Automatic Systematic Habit
2. Big Bright World
3. Blood For Poppies
4. Control
5. Not Your Kind Of People
6. Felt
7. I Hate Love
8. Sugar
9. Battle In Me
10. Man On A Wire
11. Beloved Freak

The deluxified edition of the album will contain four bonus tracks tagged onto the end of the eleven main tracks.

12. The One
13. What Girls Are Made Of
14. Bright Tonight
15. Show Me

The standard CD will feature a white cover while the limited edition version of the disc will sport a fetching, red sleeve.

seeing in believing

Saucy Aussies, Sneaky Sound System, fresh from their Mardi Gras appearances, have just unleashed "Really Want To See You Again", the third single from their current longplayer, "From Here To Anywhere".

The singles a slinky synthy number with Miss Connie Mitchell's confident and assertive vocal over a cool wash of plinks, plonks and rubbery bass lines. The video is an homage to everything 90s from Milli Vanilli to C+C Music Factory and MC Hammer.

once more with feeling

Rod Thomas, aka Bright Light Bright Light, has a penchant for laying down on floors flat on his back. He also has a habit of writing intelligent pop songs with massive singalong hooks. His latest single, "Waiting For The Feeling", is no exception.

The long awaiting follow-up to last year's tears on the dancefloor epic, "Disco Moment", is a thumping dance choon with a deliciously jagged piano riff and a killer chorus that's guaranteed to earworm its way into your heart. Think Pet Shop Boys with a splash of Black Box. Very 90s in a 2012 kind of way.

Furthermore, yours truly has reswizzled the tune for maximum discotheque flammability. Pass the poppers, ladies and gents. Glitter cannon at the ready.

"Waiting For The Feeling" is the single of the year. Hands down. There's even a brightly colored video to accompany the tune.



Lovely. I see Rod doesn't mind having his hair messed up by someone's random hands. Perhaps his floor fetish is really just a reason to reference the lyrics of the song. Has he been thrown there? Is it a metaphor for love? So many questions.

"Waiting For The Feeling" is available on iTunes right now! The remix EP will be available from all fine digital retailers on April 30. "Make Me Believe In Hope", the debut longplayer from Bright Light Bright Light (please note - no comma between the bright lights), will be released on June 4. Mark your calendar!