Showing posts with label Giorgio Moroder. Show all posts
Showing posts with label Giorgio Moroder. Show all posts
Monday, February 2, 2015
Giorgio geometry
Retro disco daddy, Giorgio Moroder returns with new music after his successful spin alongside French electronic duo, Daft Punk reintroduced him to the dancing masses. Glad to see him back, back, BACK!
On "Right Here Right Now", which is amazingly NOT a cover of neither the Fatboy Slim hit or the Jesus Jones smash, Giorgio is ably assisted by everyone's favorite Aussie pop rocketm, Kylie Minogue. She gives us her patented kitten coo™ and few vocal eruptions she picked up from her recent work with Pharrell.
"Right Here Right Now" is the first single from Giorgio's new longplayer, "74 Is The New 24".
Thursday, June 20, 2013
this is my kind of music
Neil Tenant and Chris Lowe preview their forthcoming twelfth longplayer, with "Vocal". It's the second taste from "Electric" after they released the largely instrumental, Moroder-esque "Axis".
"Vocal" is classic PSB - subtle verses which harken back to early singles like "Rent" and "Love Comes Quickly" followed by an anthemic, ramped up chorus with lots of sparkly, buzzy synths which reminds me of their version of "It's Alright".
Actually, (Did you see what I did there?) - the song is devoid of the usual verse/chorus/repeat pattern and, instead, cycles the same melodic phrase several times over and ever increasing wall of drum sounds and sythy goodness. Also, it never devolves into a typical and tired EDM formula. Kudos to knob twiddler deluxe, Stuart Price, for keeping it fresh for very Boys.
There's also an accompanying video which was just dropped a few days ago. Featuring a collage of dance footage, it evokes memories of the rave era of the early 90s. It almost like dropping a visual tab of E. Almost.
Best PSB single since "Leaving" from their previous elpee, "Elysium". FYI, my favorite part is the wiggly, pitch bendy synth line that only appears three short times in the track. Brilliant!
Back to "Axis" for a moment. After some online discussion with my circle of discophile friends, I thought it would make sense to reference the more direct inspiration for the track. Take a listen to "Menergy" by Patrick Cowley. While "Axis" has more than a passing flash of Giorgio Moroder's Germanic inspiration within it, "Menergy" is the more direct link.
Chris and Neil really know how to needle drop the most interesting references in their songs. Plus, Mr. Cowley deserves a round of applause for his substantial contribution to dance music. Perhaps the coda to this entry will point people in the direction of his work if they aren't familiar with it.
"Vocal" is classic PSB - subtle verses which harken back to early singles like "Rent" and "Love Comes Quickly" followed by an anthemic, ramped up chorus with lots of sparkly, buzzy synths which reminds me of their version of "It's Alright".
Actually, (Did you see what I did there?) - the song is devoid of the usual verse/chorus/repeat pattern and, instead, cycles the same melodic phrase several times over and ever increasing wall of drum sounds and sythy goodness. Also, it never devolves into a typical and tired EDM formula. Kudos to knob twiddler deluxe, Stuart Price, for keeping it fresh for very Boys.
There's also an accompanying video which was just dropped a few days ago. Featuring a collage of dance footage, it evokes memories of the rave era of the early 90s. It almost like dropping a visual tab of E. Almost.
Best PSB single since "Leaving" from their previous elpee, "Elysium". FYI, my favorite part is the wiggly, pitch bendy synth line that only appears three short times in the track. Brilliant!
Back to "Axis" for a moment. After some online discussion with my circle of discophile friends, I thought it would make sense to reference the more direct inspiration for the track. Take a listen to "Menergy" by Patrick Cowley. While "Axis" has more than a passing flash of Giorgio Moroder's Germanic inspiration within it, "Menergy" is the more direct link.
Chris and Neil really know how to needle drop the most interesting references in their songs. Plus, Mr. Cowley deserves a round of applause for his substantial contribution to dance music. Perhaps the coda to this entry will point people in the direction of his work if they aren't familiar with it.
Labels:
Giorgio Moroder,
Patrick Cowley,
Pet Shop Boys,
Stuart Price
Subscribe to:
Posts (Atom)

